Featured Quote: Ray Bradbury

The library deeps lay waiting for them. 

Out in the world, not much happened. But here in the special night, a land bricked with paper and leather, anything might happen, always did. Listen! and you heard ten thousand people screaming so high only dogs feathered their ears. A million folk ran toting cannons, sharpening guillotines; Chinese, four abreast, marched on forever. Invisible, silent, yes, but Jim and Will had the gift of ears and noses as well as the gift of tongues. This was a factory of spices from far countries. Here alien deserts slumbered. Up front was the desk where the nice old lady, Miss Watriss, purple-stamped your books, but down off away were Tibet and Antarctica, the Congo. There went Miss Wills, the other librarian, through Outer Mongolia, calmly toting fragments of Peiping and Yokohama and the Celebes.

Something Wicked This Way Comes (1962)

Ray Bradbury




 

Featured Quote: Sherlock Holmes

As we watched it the fog-wreaths came crawling round both corners of the house and rolled slowly into one dense bank on which the upper floor and the roof floated like a strange ship upon a shadowy sea.

The Hound of the Baskervilles (1901)

Sir Arthur Conan Doyle

Return to the Brandywine Valley

The Brandywine Valley remains one of my favorite stomping grounds due to its horticultural and architectural offerings as well as the sheer deliciousness of its name.

Hagley Mills

Though long in love with the luscious Brandywine estates and gardens of Winterthur and Longwood (where I would like to believe I lived during a previous life as a petunia), my visit to the former gunpowder works at Hagley Mill offered a foray into a new sphere of surprises. I had naïvely imagined a single mill house - boy were my expectations topped. Gardener turned gunpowder guru Eleuthère Irénée du Pont founded Hagley after narrowly escaping the Hungry Lady, and I don't mean his wife. Though Monsieur du Pont arrived in the U.S. of A. with the fluttering hopes of tending gentle orchids and peaceful topiaries, he soon observed the unreliability of American gunpowder, something he knew he could improve through European techniques. 

That, at least, is the conventional story. I believe the poor man got so fed up with stupid Américains tumbling over his name that he just started blowing stuff up.

Located along the arboraceous Brandywine River, Hagley provided the perfect location for manufacturing gunpowder for the military during the War of 1812 and to the Union during the Civil War. If Monsieur du Pont's last name sounds familiar, it's for good reason, since his company's innovations in gunpowder were the first in a long line of innovations in many areas.

The First Office

Many of the buildings on the property are built from Brandywine's blue gneiss - a strong rock that could withstand massive explosions.

Workers' homes of Blue Gneiss Stone

Eleutherian Mills, the du Pont family home, whose backyard 
looks directly over the gunpowder works.

The mill is closed in 1921 following the last of a long line of explosions. Now quiet and serene, the site offers a peaceful, otherworldly retreat of Herculean trees, thriving animal denizens such as Canada geese, deer, and beavers, and the bygone beauty of old mills.

Beautiful Gnarls: 350-year-old Osage Orange Tree near Eleutherian Mills

Interspersed with the backdrop of nature's quiet beauty, a plethora of antique equipment, massive gears, and rusty machinery rumbled melodically or lay quietly embedded in the ground. There is something stunning about industrial mixing with nature, as nature is begins reclaim her domain. The innate aesthetic in the circles, repetition, and symmetry of cogs, rivets, and gears provide a a striking contrast with the wildness and vivid colors of nature.

Ancient Egypt and the Little Girl

Sitting in the tranquil dimness of my room, listening to the abrupt cicadas and breathing in the soft end-of-summer air, I find myself thinking of my childhood in California. I so often long to return there, but is it a longing for California itself or for the nostalgia of childhood? I think of Monterey Bay’s black lava-like rocks and bobbing otters, the aquarium's colossal, plate-glass room, opening like a giant foyer to the sea’s own mysterious mansion of living rock and giant kelp colonnades; the fog fading into the morning warmth in the old streets and quaint houses at Carmel; Junipero Serra’s sunset-colored missions surrounded by flowering bushes shaking in the breeze; the fantastical double-decker carousel at the Great America amusement park in my hometown, San Jose; the warm, cerulean water at the vibrant beaches where seals bellow to each other and cover the rocks and piers like fat, whiskered sunbathers.


And I think of the Museum.


When I was child, I wanted to be either an archaeologist or a paleontologist. I lost interest in paleontology when I realized that you spend most of your time digging very very slowly, not popping already-assembled Tyrannosaur skeletons from the ground every other day. But my interest in archaeology stayed strong despite my phobic terror of mummies. Mummies be darned, I love Ancient Egypt. I don’t remember when my infatuation started, except that I have a vivid memory of being about seven years old and standing in the Rosicrucian Museum in town and gawking in awe at a section of painted tomb wall from a pyramid’s interior. Sheltered from the fading effects of light for thousands of years, the paints had retained the vivid deep blues in the midnight skies and the rich golds and scarlets on the figures and accents. Looking back, I now realize that they were probably replicas, but the effect on me was the same: I suddenly understood that ancient artists didn’t actually paint in faded colors - their art was as colorful as many of the paintings we create today. How much, I wondered, of ancient life itself was like this - archaic and outdated today, but vibrant and real in its own time? In fact (I thought to myself with a dawning amazement) the people of the ancient world didn’t think of themselves as ancient, but as modern. I wondered what museums they visited when they were alive, and if they were busy swatting flies on hot days just like me.

For a long time after that visit, I dreamed at night of sneaking back there, past the museum’s alarm system and back into that room of sapphires, golds, and burnt umber. Who knew what really happened when everyone turned off the 20th-century light bulbs and left that room alone with just the darkness and cricket songs?